It really is a wonderful discovery in the history of world cinema, which is very talented filmmakers of Africa and the African diaspora make it really big in the innovative filmmaking. They not only challenge the old recipes of cinematography, but also use their excellent art of cinema for the creation and establishment of new visions of his people and the world. Travel black filmmakers began in 1922, when the director of black women shake Sonders made an exemplary film "Woman error" and # 39; It was the first such attempt in the era dekalanizavats look and fix the film in black female sub & # 39; objectivity. Today, however, even after a long history of reverse operation, black women filmmakers spent a long and slow journey to the director's chair, where only a handful of black female director has been able to break through the racial bar & # 39; sphere in Hollywood. .
But, in addition to Hollywood, many of the black women from Africa and the United States was able to stand out in the world of cinema. In fact, directors like Julie Dash (originally from New York), has long won the award for best cinematography for its popular movie "Dust Daughters" Sundance Film Festival in 1991. On the other hand, Denis Cheryl from Liberia received worldwide recognition and assessment of his film "The Watermelon Woman"; (1996), which, in essence, a & # 39 is the first African-American lesbian feature film in the history of world cinema. Other female director, Sophie Faye from Senegal, deserves a few ethnographic films that brought her international fame and received several awards at the Berlin International Film Festival in 1976 and 1979. In addition, there are independent filmmakers and black women, such as Salem Mekuryya from Ethiopia, which produces documentaries on his native Ethiopia, and women in Africa. In 1989 Evzhan Pals became the first black woman, who rented the main Hollywood film "dry white season" & # 39; Despite all this success, yet exactly what the state of affairs is not of & # 39 is all rosy for African American filmmakers. The documentary film "Sisters in Cinema" Yvonne Velbon tried to investigate why and how the history of black women behind the camera was not clear in the whole Hollywood.
"Sisters in Cinema" – the first and only of its kind documentary in the history of world cinema, which is trying to explore the life and films of inspirational black filmmakers. Celebrate the success and kalasalnasts. The achievement of black women filmmakers throughout the ages, the 62-minute documentary Yvonne Velbon "Sisters in Cinema", which is a & # 39; appeared in 2003. The film tries to trace the car & # 39; a career inspiring African-American filmmakers from the early 20th century to today. The first such documentary "Sisters in Cinema" was regarded by critics as a strong visual history of contributing women of African Americans in the film industry. "Sister to the movies," said to have been the work of a multi-valued, which pay tribute to the women of African-American, who made history against all racial, social bar & # 39; erav and chance.
During an interview with & # 39; nd director Yvonne Uelban admitted that when she was going to make this documentary, she almost did not know that there is an African-American director Julie Dash. However, those looking for inspirational directors, she went to explore the limits of Hollywood, where she found a phenomenal film director, a female African-American Darnell Martin. Apart from the movie "I like it", she found only a few films that are produced and distributed by African Americans. Thus, Hollywood's monopoly on the part of the white directors, producers and sellers of inspired her on the path of independent filmmaking. Surprisingly, there is disclosed a wide range of truly outstanding films directed by African-American woman has moved beyond the Hollywood studio system, and thus, she learned of her sisters to the movies.
Within the 62-hour documentary about the car & # 39; career, life and movies of women who inspire women directors, such as Evzhan Pals, Julie Dash, Darnell Martin, Diana X & # 39; Euston, Nima Barnett, Sheryl Dani, Casey Lemmons and Maya Anzhelou and rare – in-depth interviews & # 39; w, interlaced with clips, rare archival footage and photographs, as well as video directors at work. These images together provide African American women directors and serve to illuminate the history of the phenomenal success of filmmakers in world cinema, which remains hidden for too long.
Recently, in October 2005 in New York hosted eighth annual women's festival in the African American in the movie. It was another remarkable event, which showed exceptional artistic and documentary films, and short films made by African-American filmmakers as Aurora Sarabia, the fourth generation of Chicago (Mexican-American) from Stockton, CA, J. Vera. Brooks, producer from Chicago, Terry Burnett, director of the socialist direction, Stephanie F. Kliton awarded to journalists of the newspaper of the newspaper New York City and the business editor Staten Island Advance, Adetaro Makinde, Nigerian-American first-generation director, screenwriter, producer, actress . And in more recent times, from February 5 to March 5, 2007, was celebrated the Moon Black History Society Keane Linkalnskaga center and archive a single movie in which the Center presented "Black Women for a & # 39; the lens."
Kipelno documentary "Black Women for a & # 39; lens" notes uncompromising cinema love, created a group of courageous African-American women. These black directors, endowed with a rare determination and unwavering mood, eager to speak truth to power, offering an alternative to the stereotypical image of black women found in mainstream media. They turned to guerrilla filmmaking, artistic rebellion in the face of long-established network of Hollywood and challenged the old cinematic presentation, using their skills to build a new vision of its people, their heritage and the world. Known theorists, sociologists, women writers, directors say it is good to know that women filmmakers from Africa and the African Diaspora are challenging old cinematic recipe and create their own vision of the cinema, which they love to do.
However, while a significant number of women in Africa and here in the United States, was able to make a successful car & # 39; a career in the film industry, especially the terrible obstacles. The problem, says Elizabeth Hadley, chairman of Women's College Gamiltanskim College, Clinton, NY, is not how to make movies black women, and problems of marketing, distribution and financing. As a result, most of these women are looking for their own money and operate at low budgets. However, all said and done, quite reassuring to know that at least some of these women decide dekaratyzavats Hollywood look and fix their films in black female sub & # 39; objectivity. Any attention or recognition, which arises when the women want to convey their understanding of the history and heritage of the Negro, with a focus on the experience of women – should be welcome!